The black SG that I used for experiments with coarse and fine tuners has been modified further. I wanted to be able to phase switch the pickups. Plus, I'd had this idea of having the cables run in copper tubes to shield them from noise. The copper tubes should be on the face of the guitar rather than running inside the body. Each switch or knob should be mounted in its own separate hole with copper tubes running to and from it.Apart from shielding the wires, I thought it'd look good. And not only good, but also logical. I want to be able to see what's happening with all the switching... to know which pickup is going to what swith and from there to which pot. That way, swithcing would be more transparent. You can't see how the wires go to and from a six way selector switch beneath a strat pickguard, and I missed that. The six-way switch is easy to use, but leaves you clueless as to what is hapenning inside the control cavity.
So I made a phase switching system for the black guitar. Each pickup goes to its own On/Off/Counterphase switch on the upper horn, and from there, they both go to the control cavity. Each switch is mounted in a brass disc. If I should keep true to my principle, I'd have to also mount the tone and volume pots like this, but I'll stop here. I expect that on a future guitar, I will fully implement the copper tube and separate switches/pots design. For now, I'll stick with it as it is.
It looks pretty much as I expected it to. I like the... "functional steampunk" look of it, though I use the word with some caution. There's quite a lot of the steampunk design aspects, that I like ...the combination of wood, brass and copper, for instance. Still, I think that steampunk has become too much about old-fashioned costumes and glueing cogs and sprockets on top of things. And then spraying them with copper. I wouldn't add anything just for its ornamental value. It has to have a purpose.
Opinions are welcome, constructive criticism even more so.
